Romeo and Juliet for The New Yorker
In this Mark Morris Group adaptation of the Prokofiev version of Romeo and Juliet, the lovers do not really die. Instead, they ascend together into some kind of heavenly destination - it's a rarely performed version of the familiar story.


Labels: Bright, Color, Editorial, New Yorker
Twitter Cover Concept
Though this was not accepted as a cover, I turned it into a successful art print.


Labels: Bright, Cover, Editorial, New Yorker, overview
Winter Training for Bicycling Magazine
Using rollers in the winter can keep bicycling enthusiasts in shape. A woman who subscribes to the magazine saw this illustration and ordered a print for her husband - apparently, they have two kids (a boy and a girl), the same basement setup, and he trains with rollers! How strange...
Old Crow Medicine Show for The New Yorker

Labels: Bright, Color, Editorial, Music, New Yorker
Ghostland Observatory for The New Yorker
The high energy band, Ghostland Observatory is too much fun to watch on stage. Though the deadline for the drawing loomed, I got sucked into their performances in online video footage. The band's manager actually contacted The New Yorker when this issue came out and requested a print of this image.


Labels: Bright, Color, Editorial, Music, New Yorker

















