Romeo and Juliet for The New Yorker
In this Mark Morris Group adaptation of the Prokofiev version of Romeo and Juliet, the lovers do not really die. Instead, they ascend together into some kind of heavenly destination - it's a rarely performed version of the familiar story.


Labels: Bright, Color, Editorial, New Yorker
Broken Blossoms for The New Yorker
'Broken Blossoms' is a tragic silent film that tells the tale of an abused woman who is helped by an immigrant who owns a store in Chinatown. Things do not end well.


Labels: Color, Editorial, New Yorker, Noir
Winter Training for Bicycling Magazine
Using rollers in the winter can keep bicycling enthusiasts in shape. A woman who subscribes to the magazine saw this illustration and ordered a print for her husband - apparently, they have two kids (a boy and a girl), the same basement setup, and he trains with rollers! How strange...
Basketball Guys for the NY Times
This illustration accompanied an essay in the City section, written by an aging basketball fanatic who gets together with his old buddies, despite numerous injuries, for pick-up games at the local YMCA. I love composing multiple figures in a space like this, while retaining energy and movement in the drawing.
Old Crow Medicine Show for The New Yorker

Labels: Bright, Color, Editorial, Music, New Yorker
Ghostland Observatory for The New Yorker
The high energy band, Ghostland Observatory is too much fun to watch on stage. Though the deadline for the drawing loomed, I got sucked into their performances in online video footage. The band's manager actually contacted The New Yorker when this issue came out and requested a print of this image.


Labels: Bright, Color, Editorial, Music, New Yorker
'Miro' For The New Yorker
Joan Miro made the claim that he would 'assassinate' the art of painting. This image for the Goings on About Town section of the New Yorker takes him at his word and incorporates visuals from existing Miro artwork.


Labels: Color, Editorial, New Yorker, Noir


























