'The Strangers' for The New Yorker

A portrait of Liv Tyler in the movie, The Strangers, for The New Yorker.

Bloody Andrew Jackson for The New Yorker

For the musical, 'Bloody, Bloody Andrew Jackson.'

Romeo and Juliet for The New Yorker

In this Mark Morris Group adaptation of the Prokofiev version of Romeo and Juliet, the lovers do not really die. Instead, they ascend together into some kind of heavenly destination - it's a rarely performed version of the familiar story.

Twitter Cover Concept

Though this was not accepted as a cover, I turned it into a successful art print.

Broken Blossoms for The New Yorker

'Broken Blossoms' is a tragic silent film that tells the tale of an abused woman who is helped by an immigrant who owns a store in Chinatown. Things do not end well.

The Play of Daniel for The New Yorker

Old Crow Medicine Show for The New Yorker

Ghostland Observatory for The New Yorker

The high energy band, Ghostland Observatory is too much fun to watch on stage. Though the deadline for the drawing loomed, I got sucked into their performances in online video footage. The band's manager actually contacted The New Yorker when this issue came out and requested a print of this image.

'Miro' For The New Yorker

Joan Miro made the claim that he would 'assassinate' the art of painting. This image for the Goings on About Town section of the New Yorker takes him at his word and incorporates visuals from existing Miro artwork.