'The Strangers' for The New Yorker

A portrait of Liv Tyler in the movie, The Strangers, for The New Yorker.

Wine List for Wall St Journal

A list of things to try in the new year to add more fun to one's wine drinking experiences.

Lean Times for Law Firms for BusinessWeek

Even corporate law firms know that the big bad bear is waiting outside their doors. This was a really fun piece for Christine at BusinessWeek and is frequently cited as a favorite of other art directors for new commissions.

Broken Blossoms for The New Yorker

'Broken Blossoms' is a tragic silent film that tells the tale of an abused woman who is helped by an immigrant who owns a store in Chinatown. Things do not end well.

The Play of Daniel for The New Yorker

NY Times Book Review: D.O.A. and...

'D.O.A. and One on the Way,' is a dark novel by Mary Robison, mixing themes of violence, family strife, jealousy, Adam and Eve, twins, old money, and much more. It was a cool challenge to make an interesting image out of all this!

EMT Workers' Mid-Life Crises for the NY Times

An essay illustration accompanying a moving piece written by an EMT worker going through a mid-life crisis, along with her professional partner.

Shady Trip to Mexico City

A dark story about a 1950s woman taking a cab to Mexico City to purchase drugs.

A Soldier in the City, for the NY Times

NYC and its inhabitants can appear to have their own camouflage of sorts, and soldiers in uniform feel out of place and lost in this foreign environment. This illustration accompanied a city essay in the NY Times.

The Wise Doorman, for the NY Times

For an essay about a NYC doorman who stands in front of his building, chain smoking and dropping pearls of wisdom on passersby and residents, as they come and go.

Basketball Guys for the NY Times

This illustration accompanied an essay in the City section, written by an aging basketball fanatic who gets together with his old buddies, despite numerous injuries, for pick-up games at the local YMCA. I love composing multiple figures in a space like this, while retaining energy and movement in the drawing.

'Miro' For The New Yorker

Joan Miro made the claim that he would 'assassinate' the art of painting. This image for the Goings on About Town section of the New Yorker takes him at his word and incorporates visuals from existing Miro artwork.